such good people martha whitmore hickman

Healing after Loss: Daily Meditations for Working through Grief, Avon ( New York, NY), 1994. Prayers and Devotions for Teachers, Abingdon (Nashville, TN), 1989.įullness of Time: Short Stories of Women and Aging, Upper Room (Nashville, TN), 1990, reprinted, Abingdon (Nashville, TN), 1997. Waiting and Loving: Thoughts Occasioned by the Illness and Death of a Parent, Upper Room (Nashville, TN), 1984. I Will Not Leave You Desolate: Some Thoughts for Grieving Parents, Upper Room (Nashville, TN), 1982. (Waco, TX), 1976, published as The Growing Season: The Sights and Sounds of Middle Life, Upper Room (Nashville, TN), 1980. Love Speaks Its Voice: The Sights and Sounds of Life, Word, Inc. How to Marry a Minister, Lippincott (Philadelphia, PA), 1968. MEMBER: Author's Guild, Authors League of America, Society of Children's Book Writers and Illustrators, Mount Holyoke College Alumnae Association, Nashville Writers Alliance, Phi Beta Kappa.ĪWARDS, HONORS: Friends of American Writers award in Juvenile Division, 1976, for I'm Moving Golden Kite nomination, 1987, for Lost and Found Associated Church Press Fiction Award, 1991, for 'The Last Hour,' and for 'The Last Son,' 2003. Adjunct faculty, Tennessee State University, 1975-76. Consultant, Information Services, Nashville, TN, 1974-80. American Baptist Convention, Philadelphia, PA, assistant editor, 1947-50 nursery school teacher in New Haven, CT, 1951-52.

Hobbies and other interests: Painting, drawing, swimming, travel.ĪDDRESSES: Home-2034 Castleman Dr., Nashville, TN 37215. (Mar.PERSONAL: Born December 9, 1925, in Holyoke, MA daughter of George Deming (a lawyer) and Ruth Olive (Carr) Whitmore married Hoyt Leon Hickman (a minister of United Methodist Church), Decemchildren: Peter Carr, John Whitmore, Stephen Hoyt, Mary Esther. Glowing as if floodlit, Ferri's soft, sunny watercolor and colored pencil illustrations embody the utter beneficence, if not the omnipotence, of a God children may accept as their friend. Or put my hand on something and press down hard and call that squash.'' Saving the best for last, God ends by fashioning some company for himself-something, ``well, more like me.'' While some underwhelmed adults may not tune in to the fun of this rendition, children will delight in the endless naming of species and guess-what-comes-next descriptions. Then, a peculiar infatuation, borrowed from other creation traditions, captures him: squash.

With impish eyes surrounded by a fuzzy cloud of beard and hair, his enraptured thoughts turn, one by one, into things. In this quietly amusing interpolation of the creation story, a childlike, mirthful God in a halcyon Garden of Eden talks himself into a magnificent world.

Such good people martha whitmore hickman